Online Viewing: Reza Dolatabadi’s Khoda (2008) + Octo-Dancing (2008)

Director’s Notes recently featured two beautiful shorts by Reza Dolatabadi:

Khoda (2008)

What if you watch a film and whenever you pause it, you face a painting? This idea inspired Reza Dolatabadi to make Khoda. Over 6000 paintings were painstakingly produced during two years to create a five minutes film that would meet his high personal standards. Khoda is a psychological thriller; a student project which was seen as a ‘mission impossible’ by many people but eventually proved possible!

MPEG4, 92MB (includes both films)
Podcast/interview with Dolatabadi here.

Khoda (2008)
Khoda (2008)

Octo-Dancing (2008)

Octo-Dancing (2008)

Recent Adobe Demos+Presentations

Introduction to the new Adobe Strobe Media Framework.

Adobe will offer a standard open framework, code-named Strobe, that accelerates and simplifies media player creation for the Adobe® Flash® Platform. Its extensible plug-in architecture provides production-ready code that meets recurring development challenges, while helping publishers monetize their video content through seamless integration with partner services. With support for the latest player features such as Dynamic Streaming and DVR functionality, Strobe enables developers and ecosystem partners to fully utilize the powerful video features of the Flash Platform.

strobe_intro

Intro to Adobe Flash Catalyst from Flash Camp San Francisco.

Adobe® Flash® Catalyst™ is a new professional interaction design tool for rapidly creating user interfaces without coding.

intro-to-catalyst

Kevin Lynch’s Flash Camp San Francisco keynote.

FlashCampKeynote

Peter Elst has compiled a list of all the Flash Camp videos here.

Sunday Matinee for 6.28

Some WTF? from David O’Reilly

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I have no idea what this is, but it’s cool.

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New Deerhoof video reminds me of something…

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…oh yeah.

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KCRW: Channels and Stations Are Now Apps/Plugins and Platforms

[rant on]

SuperMediaMegaCorp (and local media corp) doesn’t get it. At some point, even aggregators like Hulu will need an API-like functionality allowing developers and creators to add their content ( …or tap their ad network(s)). And BTW, via Bloomberg:

June 25 (Bloomberg) — Television programs such as “The Simpsons” and “CSI” are for the first time commanding higher advertising rates at Web sites including Hulu.com and TV.com than on prime-time TV.

KCRW, the Los Angeles Public Radio station, “gets it.” In addition to widgetized distribution via it’s well thought-out media player widgets, they just released a very nice iPhone app (iTunes link) that has just about all the functionality you’d possibly want—live streaming, on-demand streaming and even an event calendar.

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The only additions/weaknesses I see here is a failure to integrate the playlist functionality from the KCRW website directly into the widget (User has to click through to the site—maybe that’s on purpose), and a lack of direct download(s) (may be licensing issues). Well done, and the “viral” distribution of persistent donate/join links can only help the Listener-supported Radio cause.

iPhone app screens. Straightforward, simple interface.

KCRWapp

Apps and widgets also allow media creators to distribute and monetize long-tail library/archive content that’s sitting in their vaults. In addition to the business angle, it also frees these cultural and historical artifacts for public/educational use. Local TV and radio stations are essentially “punting” on great cultural and business opportunities (and community building). It’s kinda sad.

JD Lasica on the social implications of Boxee.

As internet video matures, we face a crossroads: will technology and public policy support a more participatory culture — one that encourages and enables free expression and broader cultural engagement? Or will online video become a glorified TV-on-demand service, a central part of a permissions-based culture?

Warren Lieberfarb, the visionary former head of Warner Home Video, thinks it won’t be long before we’ll be able to purchase and store our own personal collection of movies and transport it from device to device, anywhere within an extended home domain.

“I see a very, very, very big transformation that’s going to change the balance of power in media,” he says, choosing his words with care. “It will step away from the broadcast and cable networks to specialized niche programming that will be accessible through on-demand services. That is the revolution. And nothing is going to stop this.” …

“All this is going to bypass the broadcast and cable networks,” he says. “The whole notion that you sit at a television at a designated time and you tune in to watch what they say you watch—it’s over. It’s going to take a while, but it’s over.”

Your radio stations will be mobile apps, or apps/plugins for Boxee or other media-center software. So will your newspapers and TV stations. Films and shows will be widgetized, and mobile/settop apps will not only distribute the media, but alternative/supporting content (Data!) as well—perhaps they’ll even allow you to interact with the content in realtime. Those that don’t embrace user/viewer control and Open-ness will die. Good times.

3D, Realtime Air Traffic.

WOW. By WHITEvoid

3dairtraffic

Checkout their Youtube channel and portfolio. Awesome work.

Online Viewing: The Maxx @ MTV

At one point, MTV actually was 1) Relevant. 2) Occasionally creative. Remember The Maxx, MTV’s short lived, vaguely Frank Milleresque animated series from a comic by Sam Kieth? It’s now streaming on the MTV site. Well worth it once you get past the ridiculous segmenting and page refreshes.

Maxx

Jason Bognacki’s “The Red Door”

NSFW:Graphic content warning

Just watched Experiments in Terror, Vol. 3 (Highly Recommended), which contains an absolutely stunning short, The Red Door, by Jason Bognacki. Apparently it’s part of a full feature that’s yet to be completed—let’s hope that happens soon. More info at the film site.

“The Red Door is a blood-drenched psychological mystery through the distorted gaze of Lynda and her fantasy self, Loma, heroines who both try to redeem Lynda from a tragic past. The Red Door is a modern novella – not quite a short story and not quite a novel, but definitely a modern Giallo story.”

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Downloadables

Sunn o))) Live @ Primavera Sound, Barcelona, Spain May 29th, 2009 [mp3]. More sets at Free Music Archive.

Tortoise @ The Tabernacle – Atlanta, GA 12/31/2004

Lydia Lunch/Marc Almond/Nick Cave/Clint Ruin-Immaculate Consumptive (Unreleased Live Audience Recording), 1983

American Prince (Dir. Tommy Pallotta 2009) .torrent

In 1978, Director, Martin Scorsese turned his camera on his friend and roommate, Steven Prince, with his lost documentary “American Boy”.

Best known for his role as the gun salesman in Taxi Driver, Prince was a true-life raconteur, actor, ex-drug addict, and road manager for Neil Diamond. To Scorsese, Steven’s life was more fascinating than what any screenwriter could dream up, it had to be captured in celluloid. To Tarantino, one of the most memorable scenes in film history is an homage that actually happened to Prince in real life. Three decades later, filmmaker Tommy Pallotta draws out Steven Prince to recount his days since “American Boy” and to compose the next chapter of his story.

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Goodbye analog. Fer reals, this time.

Old timey.

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Monday: Visual Stimulus

Dimitre Lima’s MTV Brazil IDs using Processing. Cool stuff at his site, too.

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Trailer for awesome Julius Shulman Doc, Visual Acoustics, The Modernism of Julius Shulman.

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Q+A with director Eric Bricker, via The Austin Film Society.

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Lot’s of cool stuff at Subblue. Check out the Guilloché Pattern Generator:

Guilloché Pattern Generator
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